Alan Parsons, who produced the album, brought in a singer he knew of named Clare Torry.Parsons explained in Rolling Stone, March 12, 2003: "She had to be told not to sing any words: when she first started, she was doing 'Oh yeah baby' and all that kind of stuff, so she had to be restrained on that. He was also present for the recording of "The Great Gig in the Sky" (although Parsons was responsible for hiring Torry). And all this time, I was getting more familiar with the backing track. The new material was performed in the same order in which it was eventually sequenced on the album release; differences included the lack of synthesisers in tracks such as "On the Run", and Bible readings replaced by Clare Torry's vocals on "The Great Gig in the Sky". "I then went to work for a company called Valley Music. Who knows what would have happened, if Torry’s name had never come to light: her voice wouldn’t have entered into the history books, and perhaps Pink Floyd would have left The Great Gig In The Sky as an instrumental. Hipgnosis had designed several of the band's previous albums, with controversial results; EMI had reacted with confusion when faced with the cover designs for Atom Heart Mother and Obscured by Clouds, as they had expected to see traditional designs which included lettering and words.  Michael Wale of The Times described the piece as "bringing tears to the eyes. Going back to January 1973, I read somewhere that you were a staff songwriter at EMI... “I’d actually left EMI by then.  Generally, however, the press were enthusiastic; Melody Maker's Roy Hollingworth described side one as "so utterly confused with itself it was difficult to follow", but praised side two, writing: "The songs, the sounds, the rhythms were solid and sound, Saxophone hit the air, the band rocked and rolled, and then gushed and tripped away into the night. The band elected not to use Parsons' quadraphonic mix (done shortly after the original release), and instead had engineer James Guthrie create a new 5.1 channel surround sound mix on the SACD format.  Alan Parsons has stated that the film was not mentioned during production of the album. Unlike Bell and Troy, Clare was white and when she arrived to meet Pink Floyd, the band was not impressed. , "The combination of words and music hit a peak," explained Gilmour.  In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau found its lyrical ideas clichéd and its music pretentious, but called it a "kitsch masterpiece" that can be charming with highlights such as taped speech fragments, Parry's saxophone, and studio effects which enhance Gilmour's guitar solos. The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. All rights are reserved. , Based on such rankings, the aggregate website Acclaimed Music lists The Dark Side of the Moon as the 19th most acclaimed album in history, the seventh most acclaimed of the 1970s, and number one of albums from 1973.
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